Airport 1975
U.S.A. / 1974
Directed by Jack Smight
Starring
Charlton Heston
Karen Black
George Kennedy
Color / 107 Minutes / PG
Format: DVD (R1 - NTSC / 2-disc set)
Universal Home Video
"Goddamn it, answer!"
Hold your mouse pointer over an image for a pop-up caption
R-E-S-P-E-C-T!
Shouldn't have had that bean burrito for lunch.
"You mean the stewardess is flying the plane?!!"
"Oh my God. Beth... We're too low."
"Climb, baby... Climb..."
Midair transfer.
Don't be such a spaz, Karen!
No sweat, honey. Chuck's in charge now.
"Are we here already?"
Airport Terminal Pack (DVD)
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Airport 1975
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Movie Rating  
4
  DVD Rating (for AIRPORT TERMINAL PACK)   6   10 = Highest Rating  
There's an old maxim that says if a movie poster has a strip of headshots boasting of its "all star" cast most of 'em washed up TV veterans in between game show appearances then that film is guaranteed to stink. Guess what was on the original theatrical poster for this baby? Made at the apex of the Disaster craze of the 1970s, Airport 1975 represents everything wrong with that tritely formulaic genre. So wrong, in fact, that it's this flick which served as the template for the wacky comedy lampoon Airplane!, not the original film in the series, 1970's Airport. (One of the most undeserving movies ever nominated for a Best Picture Oscar, by the way.)
    The cornball silliness emanates from the stock cardboard characters, bad dialog and hammy acting, not the story. Airport 1975 actually has one of the more realistic scenarios of any Disaster film. During a cross-country "red eye" flight from Washington D.C. to Los Angeles, a commercial 747 jumbo jet is diverted to Salt Lake City due to heavy fog on the California coast. Also rerouted to Salt Lake is a small private plane, whose pilot (The Frozen Dead's Dana Andrews) happens to suffer a massive heart attack while at the controls. The twin-engine Beechcraft veers into the path of Flight 409 and, before the airliner's crew can react, collides with it. Luckily it's only a glancing blow — a three-foot hole is ripped in the Boeing's cockpit, sucking out the copilot and killing the navigator, yet the jet continues to fly on automatic pilot. 409's captain is badly injured, however, and totally incapacitated. With a mountain range dead ahead, the chief stewardess (Karen Black) has to be instructed via radio on how to maneuver the aircraft. But then the radio begins to fail, and an Air Force jet scrambled to visually inspect the airliner spots a major fuel leak. Now, the only hope of survival left for the people aboard Flight 409 is a dangerous midair transfer... A high-speed chopper will fly slightly ahead while a pilot, dangling from a tether, enters the stricken 747 through the tear in the hull. If he makes it he can then land the plane at the Salt Lake airport before the fuel runs out. And there's only one man for the job — Moses himself, Charlton Heston (The Omega Man, Soylent Green).
    In keeping with the every-cliché-but-the-kitchen-sink concept,
Heston and Black's characters are (unconvincing) lovers on the verge of breaking off their relationship when suddenly thrust into adversity. The wife and son of airline operations manager Patroni (the sole character linking all four Airport films, played by George Kennedy) just happen to be aboard the plane, too. Pouring gallons of treacly Aunt Jemima over everything is the post-Exorcist appearance of Linda Blair as a sick girl being flown to L.A. for a desperately needed kidney transplant. In the scene most famously (and hilariously) spoofed in Airplane!, then-popular singer Helen Reddy stunt-cast as a sweet, friendly nun plays a guitar and sings to her, stopping the movie dead in its tracks.
    Most of the fun to be had with this clunker is to play "Spot the Airplane! Influence" as you watch. That and "Who's Who" the cast is heavily populated with faces that'll be quite familiar to those who grew up watching American TV in the 1970s. Other than Charlton Heston, fading as an A-lister but still a movie star at that time, it's the kind of roster you'd see on an ABC TV Movie of the Week. (Chuck should've stayed with science fiction. After this flick, Earthquake and Two-Minute Warning it was all downhill. As the Seventies wore on, Heston's film choices, like his toupees, got progressively worse.) In fact the whole film, some aerial shots excepted, has a distinctly made-for-TV feel to it (i.e, cheap), only it's filmed for the big screen. Jack Smight's direction is undistinguished and totally pedestrian. The few special effects are rather lame, and the film's key action sequence, the helicopter-to-jet transfer, is completely botched. Where just the roaring rush of the wind alone would've increased the dramatic tension, instead we get sappy TV show-quality music. This hardly matters, though; Karen Black's crazed facial contortions during this scene may have you laughing too hard to notice! (As a kid I saw Airport 1975 when first released, and yes, the audience cracked up en masse at her over-the-top mugging.)
    Unintentional humor like that, especially in the wake of Airplane!, is the only thing worth watching this movie for. It's a big help if you're in the over-40 crowd, too, for the nostalgia aspect. The now-astonishingly sexist banter between the the perpetually horny (not to mention doomed) copilot (Roy Thinnes) and navigator (Erik Estrada) is a real kicker.
Trivia Note: Silent screen star Gloria Swanson actually came out of retirement to do this film — playing silent screen star Gloria Swanson, of all people — and only succeeded in embarrassing herself. NFL pros Gene Washington (The Black Six) and Jim Plunkett are the other "real life" passengers aboard fictional Flight 409.

Universal has released Airport 1975 as part of its Airport Terminal Pack "franchise" collection. All four films in the series — including the original Airport and the two that followed this one, Airport 77 and The Concorde: Airport 79 are attractively packaged in a slipcase holding two DVDs. These are "flipper" discs; i.e., one movie per side. The films are each presented in their original widescreen aspect ratios (2.35:1 in the case of 1975), with good quality audio tracks and optional subtitles. (Airport is in 5.1 Surround; the rest are 2.0 Mono.) The only extras are the four theatrical trailers.
    As for Airport 1975, the print is fairly clean and quite colorful (especially that purple decor!), but it's a tad grainy and the image appears slightly squeezed at times. This never really detracted from the experience, however... It's just a cheesy '70s disaster film, after all, and the price was certainly right. The whole shebang goes for under 20 bucks — less than $5 per flick. (NOTE: My DVD rating of "6" is for the entire four-film set.) 8/09/04
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