The Brainiac
Mexico / 1962
Directed by Chano Urueta
Starring
Abel Salazar
Rosa María Gallardo
David Silva
B&W / 76 Minutes / Not Rated
Format: DVD (R0 - NTSC)
Beverly Wilshire Filmworks
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6
    2  
10 = Highest
Rating
 
Bizarre. Nutty. Goofy. Ridiculous. Hilarious. The Brainiac!
    Even for Mexihorror this is one weird, way-out flick. Abel Salazar (who also produced) stars as mystery man Baron Vitelius, evil sorcerer and brain-slurping monster. The story opens in the year 1661 in Mexico City, where a court of the Spanish Inquisition is passing sentence on Vitelius for practicing witchcraft. The reading of the charges has to be one of the longest such proclamations put on film
the guy just drones on and on, launching into a lengthy report of how the accused withstood every torture method applied to him without the slightest effect. All the while Vitelius grins impishly like a naughty schoolboy mocking his teacher, suddenly pulling a straight face whenever the Inquisitor looks his way. (With that we knew this flick was going to be fun.) He haughtily dismisses his judges, who order him burned at the stake for his defiance. When the sentence is carried out the Baron — dressed like a Monty Python-ized version of the Pope — calmly withstands the flames, gazing skyward to watch the arrival of the fakiest looking comet ever seen. Aping the opening sequence of Black Sunday, Vitelius proclaims a curse on the Inquisitors, promising his return in 300 years' time to wreak vengeance on their descendants.
    Flash forward three centuries to 1961. Vickie Contreras (Rosa María Gallardo), descendant of one of Vitelius' judges, and her boyfriend Ronnie (Edward Albert lookalike Rubén Rojo) are young astronomers studying under the tutelage of eminent scientist Prof. Milan (Luis Aragón, sporting one of the worst comb-overs
ever). By examining ancient records Milan predicts the appearance of an unnamed comet last seen 300 years earlier. Sure enough it appears, much to the trio's delight. A meteor detaches from the comet and crash-lands (actually it's rather slowly lowered, accompanied by a slide whistle sound effect) in a wood not far from Milan's observatory. The space rock melts open to reveal the monstrous Brainiac — Vitelius in his bestial state. An innocent passerby is attacked, his brain sucked out by the creature's forked, two-foot long tongue. Vitelius transforms into human guise after feasting, magically transposing the victim's dapper business suit onto his own body. (He leaves the dead guy his T-shirt and boxers, though... How kind of him!) Vitelius encounters Vickie and Ronnie, who've come looking for the meteor, as he's strolling from the woods. He plays the suave European type and befriends the couple. Later, he kills a couple of floozies to dine on their brains.
    The murders draw in the police, of course, in the form of a bald, Jesse Ventura lookalike inspector (David Silva) and his comic relief partner, Benny. We learn through dialog that there's also been a major jewel heist, implying that Vitelius needed some quick cash to set up new digs. Sure enough, the next time we see him he's ensconced in a huge castle-like manor complete with scrawny old butler (who is amusingly conked on the head with a flamethrower nozzle at film's end). He throws a formal dinner party, inviting Vickie, Ronnie, Milan and the descendants of the other Inquisitors who condemned him 300 years earlier. It's all part of the Baron's revenge; once ingratiated to the descendants he plans to kill them and digest their gray matter. During the party Vitelius excuses himself, complaining of an old pain that requires him to take medicine. This consists of a bowl full of human brains kept locked in a cupboard. Apparently he takes occasional spoonfuls to keep regular...
    The Brainiac is one of the most unintentionally funny flicks I've seen in quite some time. The plot makes absolutely no logical sense whatever. The special effects are incredibly cheap even for a Mexican production of the period, veering hilariously into Ed Wood territory. (All of the outdoor shots are just people standing in front of badly blown up photos of buildings, hills, etc.) Any moment of potentially genuine creepiness is totally pissed away by the ridiculous-looking monster and overwrought acting. (Most notably a scene in which the Brainiac freezes Prof. Pantoya [Germán Robles] with a hypnotic stare, then proceeds to suck out the brains of the man's pretty daughter right in front of him. Robles' quivering, pop-eyed stare while the creature kills the girl had me convulsing with mirth.) The stilted, often goofy dubbed English dialog adds immeasurably to the fun. Connoisseurs of industrial strength fromage should definitely seek this one out. Make a run for the border!

Like the Samson discs released by Beverly Wilshire Filmworks a few months back, picture quality is bad to mediocre at best. Taken from a very worn 16mm print, it's chock full of the usual speckles, dirt and skips. And as with all the BWF titles, there's that annoying picture drop-out about halfway through the movie. Packaging is amateurish but certainly not as inexplicably generic as that of the Samson in the Wax Museum DVD. 9 Chapter Stops are listed, though there are actually 10.
    Normally this would result in a "1" DVD rating from me but I'm inclined to generosity where BWF is concerned. The disc's relatively low price, coupled with the cajones it took to actually release a movie like Brainiac on DVD, put me in a more forgiving mood. (Note: As of this writing I've learned that Beverly Wilshire Filmworks, a very small enterprise, has since gone out of business. Cult movie fans will be happy to know that some websites out there still have the disc in stock, along with other BWF Mexihorror titles. If you like this kind of stuff, better act fast! These films are likely never to see the light of day again on DVD.) 7/05/01
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