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Italy
/ 1988
Directed
by Andreas Marfoni
Starring
Coralina C. Tassoni
Diego Ribon
Elena
Cantarone
Color / 85 Minutes / R
Format:
DVD (R0 - NTSC/ 3-disc set)
Brentwood Home Video
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Dialog
from the film
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You
Go, Girl!
MP3 format - 0.3 MB
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your mouse pointer over an image for a pop-up caption
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Review
by
Brian Lindsey
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4
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3 |
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10
= Highest Rating |
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Young
college-age Italian guy Tony (Diego Ribon) and his American
girlfriend Cindy (Opera's Coralina Tassoni)
are vacationing in Venice when they decide to go camping in
the Alps. Their leisurely drive up into the mountains is suddenly
interrupted by the appearance of a frightened, distraught woman
along the roadside. The woman, Arva (Elena Cantarone), claims
she was attacked by someone in a nearby cemetery. Tony checks
out the graveyard and finds nothing, though the place gives
him a distinctly uneasy feeling. Not pressing Arva for more
details, the couple drives her to the nearest village to drop
her off. Here they encounter a weird dude, in raincoat and Sky
Captain goggles, riding a motorcycle. Arva runs away at the
sight of him.
The strange, funny-voiced man introduces himself as Algernoon,
a writer of horror stories who retired to this remote village
after throat surgery forced him to use an electronic voice box.
For some inexplicable reason Tony and Cindy decide to hang out
with him for awhile as he gives them a walking tour of the town's
crumbling alleys and narrow streets. He tells them that the
forest beyond is said to be haunted by demonic spirits that
once held sway here, long ago when the villagers were completely
cut off from the outside world. He also tells them a scary story,
based on these legends, which is illustrated flashback style
by Ribon and Tassoni playing doomed lovers. (In other words,
a cheesy way to pad the film.) Tony and Cindy finally get creeped
out and split from the village. Keen to focus on the romantic
holiday time they've yet to share, the two eventually pull off
the road and unload their gear to go hiking into the woods in
search of a good camping site. But just before they set off
Algernoon appears on his motorbike to give them a cryptic warning.
Cindy angrily yells at him to go away and leave them alone,
upon which she and Tony head off into the forest.
After hiking for hours
the couple meets Arva in the woods. (It doesn't occur to them
to ask her what she's doing, or how she got there.) She offers
to guide them to a nearby abandoned house where they can more
comfortably spend the night. While Cindy steps outside to watch
the sunset, Arva hints to Tony that she's open to a three-way
and even whips out some cocaine. Tony is more than receptive
to the idea, but strange occurrences derail any party plans.
(Damn it, the movie was finally getting interesting!)
He finds out the hard way that Arva is actually a demon-possessed
witch —
with a clawed, hairy, three-fingered arm sprouting from beneath
her skirt! One of her previous victims, a man (Stefano Molinari)
she lured to his doom with her sexual wiles, has risen from
the dead as a reanimated corpse and now thirsts for the young
couple's blood...
Evil
Clutch (aka Il Bosco, "The Forest") is a shameless
Italian rip-off of Sam Raimi's Evil
Dead, complete with dilapidated house in the woods and off-kilter
Steadicam shots, floating a foot off the ground, to provide
the demonic POV. There's no Book of the Dead to unleash the
evil entity — here it's already loose, in the form of Arva the
Succubus — but the basic setup is the same. It's a cheap production
in which most of the budget apparently went for gory makeup
effects. They certainly didn't spend much on actors; there are
only the five aforementioned characters in the entire film.
Unlike Evil Dead this leaves us
with a serious dearth of potential victims, meaning that a good
chunk of the first hour is padded with long, boring walking
scenes. (Cindy and Tony should've brought along some friends
to get bumped off.) Director Andreas Marfori does use the Steadicam
well, if derivatively, and manages a couple of spooky shots
(all involving Molinari's zombie), but the wretched dubbing,
awful acting and laughably bad dialog ("Oh, you fucking creatures!
Don't think you'll get me so easily!") effectively counteract
any goosebump potential. I'm still scratching my head over certain
elements of what passes for a plot here, especially Tony and
Cindy's examination of some flammable goo they come across that
serves no purpose whatsoever in the story. (Maybe it was just
too dark to see what the hell it's supposed to be; see DVD description
below.) Any consideration of logic, however — even within the
context of a supernatural horror tale — takes a backseat to
this flick's raison d'être: GORE. Sparsely used
during the first hour, the filmmakers really ladle on the grue
during the third act. Crushed, chopped off hands, an exploding
severed head, zombies vomiting blood and bile — things get pretty
squishy indeed. (One ridiculous scene has Arva's zombie-servant
chuckling maliciously as he picks up Tony's fishing rod, casting
the line like a pro to hook Cindy in the face!) And you can
rest assured that, even in a derelict house devoid of furniture,
one is likely to find a working chainsaw with some gas in it.
While diehard gorehounds may find Evil
Clutch
an acceptable hors d'ourve, for the rest of us it's merely
proof that imitation is the sincerest form of plagiarism.
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Brentwood
Home Video, a cheapie DVD company known for their multiple-movie
packs and crappy, sometimes virtually unwatchable transfers, has
recently been licensed by Troma to release a number of the latter's
film titles. Thus Evil
Clutch
comes to DVD as part of a 3-disc set, Toxie's Triple Terror
Vol. 2, the second of seven planned box sets. (Like Chopper
Chicks in Zombietown, Clutch wasn't made by Troma but rather
picked up for distribution.) Though the Troma mascot, the Toxic
Avenger, may appear on the cover this is a Brentwood product;
fortunately the discs aren't loaded with the typical Troma promotional
crap, so we aren't subjected to the painfully unfunny antics of
Lloyd Kaufman acting like a genital-and-excretory-obsessed 12
year old. The colorful packaging is actually fairly attractive.
The three DVDs come in their own individual "slim-line" cases
of the type used in Blue Underground's Mondo
Cane collection. Since the films are allotted individual discs
they don't suffer the compression problems of Troma's own Triple
B-Header line (which cram three movies on one DVD). I'm afraid
that's where the positives end, however.
Though presented full-screen, Evil
Clutch
doesn't appear to lose much, if any, visual information. For all
I know it was shot that way as a direct-to-video release. (I have
no idea what the correct aspect ratio is). Colors look muted and
muddy. The real problem is that the transfer is way too dark.
In some scenes you can't make out what's being shown or what's
going on —
an experience akin to spelunking without a flashlight. Some 10
or 12 years ago I watched (and taped) roughly half of this film
on Cinemax and the print used for that cable broadcast was significantly
brighter. The DVD version looks like shit in comparison. I strongly
recommend you crank up your TV's Brightness control, or switch
to "Sports" mode, when watching this disc; it'll help somewhat.
(Though, of course, you shouldn't have to in the first place!)
As for audio, it seems to be a weak stereo track ("Ultra-Stereo"?)
that's inferior to many mono mixes I've heard, with some low-level
hiss present throughout. (Some of Tony and Algernoon's dialog
is quite hard to understand but I attribute this more to thick
accents rather than the disc itself.)
The other
movies included in Toxie's Triple Terror Vol. 2 —
also full-screen —
are Beyond Evil (1980), a supernatural
thriller starring John Saxon, and Chillers
(1987), a Z-budget horror anthology starring no one you've ever
heard of. Evil
Clutch is easily the
superior of the three —
and that ain't sayin' much. Trailers for Evil
Clutch and Chillers
are the only extras. The latter flick, ironically, features the
best-looking transfer of the bunch (though still sub-par); the
Saxon film fares the worst. In the future I might get 'round to
reviewing these other films for EC... but then again, maybe not.
(NOTE: EC's DVD rating of "3" is for the entire 3-disc set.).
9/20/04 |
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