Nazi Horror Double Feature
U.S.A., U.K. / 1968, 1966
Directors:
David Bradley
/ Herbert J. Leder
Starring
Walter Stocker
Dana Andrews
Anna Palk
B&W, Color
/ Not Rated
THEY SAVED HITLER'S BRAIN: 93 Min.
THE FROZEN DEAD: 95 Min.
Format: DVD
Double Feature Disc
/ R0 - NTSC
Catcom Home Video
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Review by
Brian Lindsey
Hitler's Brain
 
  1
Frozen Dead
 
  5  
  5    
Paired together on a budget double feature DVD, They Saved Hitler's Brain and The Frozen Dead represent the sort of Nazi-themed exploitation pictures cranked out before sleazy sex and gore came to dominate the subgenre in the 1970s. Brain is a real piece of scheisse, a complete waste of time. The latter film — headlined by one-time Hollywood leading man Dana Andrews (Curse of the Demon) — isn't particularly good, but should provide schlock fans with a mildly entertaining experience regardless. Both flicks involve fanatical postwar Nazi groups and living, disembodied heads. (I suppose the title of the first movie is a dead giveaway.)
    In They Saved Hitler's Brain, a loony cabal of National Socialists based in the mythical South American country of Mandorus is keeping Der Führer's severed noggin alive in a jar, waiting for the right moment to launch the Fourth Reich. Their plan entails wiping out most of the human race with deadly G-gas. This makes 'em rather keen to get their hands on American scientist Prof. Coleman (John Holland), the only person who knows the formula for the antidote. After his assistant is blown up by a car bomb the professor is kidnapped and spirited to Mandorus. Coleman's future son-in-law Phil (Walter Stocker) just happens to be an intelligence agent for Uncle Sam. A Mandoran freedom fighter attempts to inform him about the kidnapping but is shot dead before he can convey much information. Still in the dark, Phil and fiancιe Kathy (Audrey Claire) fly to Mandorus to find out what's going on. They're contacted by the younger brother of the dead rebel (Carlos Rivas plays both roles), who fills in the blanks via a lengthy flashback scene padded with WW2 stock footage... In the spring of 1945 Hitler ordered his head surgically removed, placed in a life-sustaining apparatus (i.e., a jar) and flown out of Germany to escape the Allies. (They had to cut off his head for that?) Setting up headquarters in Mandorus, the disembodied Führer has been planning his second shot at global domination ever since. Soon the deadly G-gas will be unleashed on an unsuspecting world. It's up to Phil, Kathy, and a handful of patriotic Mandorans (including Creature from the Black Lagoon's Nestor Paiva) to stop the Nazis.
    They Saved Hitler's Brain reminds me somewhat of Mesa of Lost Women, if only because in both cases the potential for 'So Bad It's Good' enjoyment is completely flushed down the crapper. Aside from the goofy plot, Brain's first half hour is padded with footage shot at least 5 years later; the hairstyles, clothing and music are wildly inconsistent, yet even this doesn't generate any laughs. The movie is just dull, dull, dull. Hitler's severed head
— mugging ludicrously within the jar, growling "Schnell!" as his only command — doesn't appear until very near the end. When this type of material can't produce unintentional humor it's time to pull the plug.
    The British-made The Frozen Dead (1966) is more gratifying. Neither scary nor gory, it does contain some delightfully lurid elements. A slumming Dana Andrews plays Dr. Norberg, an expatriate German scientist living at a large country estate outside London. In a basement lab he diligently pursues his 20-year goal of reviving a group of die-hard Nazis cryogenically frozen at the close of WW2 to escape war crimes indictments. Funding for the mansion and the experiments are provided by a secretive group of unrepentant Nazis who (naturally) want to resurrect the Party and a new Fourth Reich. The project isn't going all that well, though. While successful in bringing them back to life, Norberg's 'patients' emerge from the deep freeze mentally defective. He and his creepy assistant Karl (Alan Tilvern) have to keep them locked up in a cell at all times.
   
After decades of failure Norberg seems a bit weary of it all, including the Party. But Karl's been lying in his secret reports to the money men, making it sound as if the doctor is on the verge of a dramatic breakthrough. Thus a couple of Party honchos show up at the mansion for a demonstration. Things are further complicated when Norberg's niece Jean (Anna Palk) arrives unexpectedly from America, bringing college friend Elsa (Kathleen Breck) with her. Jean, of course, knows nothing of her uncle's ghoulish experiments or radical political affiliations.
    Very quickly Karl sees an easy solution to Norberg's dilemma of acquiring a live human head in order to study various brain functions. He arranges for one of the thawed-out Nazi corpsicles, one with especially violent tendencies (Norberg's own brother, played by a young Edward Fox), to strangle Elsa. Karl convinces Norberg to take advantage of the situation and remove the girl's head. It's put in a wooden box and hooked up to nutrient tubes; the top of the skull is removed and replaced with clear plastic for better viewing. The next morning Jean is told that her friend awoke early, leaving rather suddenly for the train station.
   
Here things actually get interesting, despite the arrival of yet another newcomer to Schloss Norberg: Dr. Ted Roberts (Philip Gilbert), one of the dorkiest "heroes" I've ever seen in a horror film. (Posture, man! Posture!) He's something of a weasel, too. As Norberg's new assistant, he's shown Elsa's disembodied head... and actually thinks its cool rather than immediately going to the police. He only turns against Norberg when Elsa's condition threatens his chances of getting lucky with Jean. Meanwhile, the Party bigwigs want her dead, fearing she knows too much about her uncle's work. Elsa's head transmits telepathic messages of warning to Jean in her sleep; in the film's goofiest scene, Norberg demonstrates his amazing Wall of Severed Arms. The Nazis all must die, of course, leading to an amusing climax as Elsa gets her revenge. (What's the one thing a Wall of Severed Arms could be capable of?) The coda — which manages to be both creepy and silly — is straight out of an EC horror comic of the '50s.
    Probably too talky and not gory enough for younger horror fans, The Frozen Dead gave this 40-year old enough cheesy chills to be worthwhile. Creature Feature nostalgia strikes again.

This is the first Catcom disc I've had a chance to view. Like Alpha and Diamond's product, it's a bargain bin DVD priced around $5 in retail stores — if you can find it, that is — and $7 online. The super-low price readily compensates for the inferior presentation of the films and awkward, less-than-user-friendly menu navigation.
    It would appear the transfers used for the disc come from 16mm dupes, so there's plenty of grain and print damage to go 'round. Fortunately it is the lesser flick, They Saved Hitler's Brain, which fares the worst in regards to A/V quality. Audio is muffled throughout, with a 5-minute stretch in the middle of the film rendered almost unintelligible due to a loud, persistent fluttering noise. The Frozen Dead, while a bit washed-out looking, is really no worse than prints used for some of the substantially more expensive Something Weird DVDs. (It comes off pretty much as I remember from UHF TV broadcasts 20-30 years ago.) Aural quality is likewise substandard though significantly better than Brain's.
   
Surprisingly, even a few extras are chucked in the mix. Two Superman cartoons from the 1940s are included but are extremely ragged, with lots of missing frames; color balance is completely shot. (The Man of Steel's cape is purple, while his tights are forest green!) Also in pretty rough shape is a psychedelic drive-in intermission ad, in Yellow Submarine-style animation, touting concession stand goodies. A postwar Victory Bonds short asks for one last sacrifice by the Home Front. But the real treat comes in the form of three vintage TV commercials. One features horror icon Boris Karloff pitching Ronson lighters; the others are black and white toy commercials promoting the "Gung Ho Commando" play set and "Tiger Joe" giant-size battery powered tank. These war toy ads look remarkably good... and definitely brought back some memories! 1/15/03
UPDATE The double feature DVD reviewed above went OOP sometime in 2004. Used copies are now going for ridiculous prices at Amazon. They Saved Hitler's Brain remains available on DVD via Rhino Home Video's budget release.
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