The Abominable Dr. Phibes
U.K. / 1971
Directed by Robert Fuest
Starring
Vincent Price
Joesph Cotton
Peter Jeffrey
Color / 90 Minutes / PG-13
Format: DVD (R1 - NTSC)
MGM Home Entertainment
Vincent Price as Dr. Anton Phibes.
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A plague of bats.
A plague of frogs.
A plague of rats.
A plague of locusts.
"Nine killed you... Nine shall die.
Nine eternities — in doom. "
Dr. Phibes plots his revenge
The Abominable Dr. Phibes (DVD)
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The Abominable Dr. Phibes
Cult Classic
 
Movie Rating  
8
  DVD Rating   5   10 = Highest Rating  
While the U.K.'s Hammer Studios was dying a slow death in the early 1970s, American International Pictures provided the reigning king of U.S. horror, Vincent Price, with an indelible role in two British-produced features. Before the The Exorcist and Halloween's Michael Myers, the murderous Dr. Phibes was the fright film icon of the decade. (At least the good doctor performed his nefarious deeds with a great sense of style.) MGM now brings the two Phibes flicks, both beloved cult favorites, to DVD as part of the company's "Midnite Movies" line. Each disc presents the film in anamorphic widescreen format with only the theatrical trailer as an extra. Picture and sound quality (Dolby Mono) are generally quite good. As for Phibes flick # 1...
    It is the 1920s. Someone is murdering London-area doctors using the most outlandishly diabolical methods imaginable. One doctor's skull is crushed at a masquerade party by a frog mask that gradually tightens around the wearer's head. Another is completely drained of blood with a pumping device. Ravenous rats placed in the cockpit of a plane cause the fatal crash of a physician who was an amateur pilot. A prominent medical man is found frozen solid in the backseat of his automobile... As the earnest but fumbling Scotland Yard investigator Sgt. Trout (Peter Jeffrey) tries to get to the bottom of the mystery, more bodies keep turning up. His superior, pompous martinet Superintendent Waverly (John Cater), grows impatient for answers. What could be the motive behind these heinous crimes? What sort of madman could plan and execute such elaborate murder schemes? Dr. Anton Phibes, that's who — a madman to be sure, but also a genius. A world-renowned musician, Phibes (Vincent Price) is also a wizard in the fields of acoustics, engineering and science. But why knock off doctors? Revenge — revenge for the death of Phibes' young wife Victoria on the operating table. All the murder victims were members of the medical team that performed Mrs. Phibes' surgery. Her husband believes them criminally negligent. See what happens when you can't sue your HMO?
    Phibes is able to dispatch his victims with virtual impunity, for he has a terrific alibi: he's dead. At least that's what everybody thinks. Phibes' car went off a cliff as he frantically raced back to his wife's side when she took ill. Horribly burned, Phibes nonetheless survived the crash but let the world believe he perished. Now, years later, assisted by his beautiful and mysterious cohort in crime, Vulnavia (Virginia North), Phibes brings the full measure of his wrath down upon the "guilty" using the Biblical plagues of Egypt as his inspiration. He's saving the final act of this murderous passion play for one Dr. Vesalius (Baron Blood's Joseph Cotton), chief surgeon of the ill-fated medical team. Phibes has arranged a most insidious test of the physician's skills with a scalpel...
    The Abominable Dr. Phibes is a clever, campy, thoroughly enjoyable horror thriller leavened with dark humor and droll British wit. Vincent Price is superb in a very difficult role here, one of the best and most unusual of his long career. As all his dialog is spoken in voice-over fashion — Phibes' speech ability was lost when he was burned, so he "talks" through an electrical amplifier that plugs into his neck — Price uses his eyes and body language to terrific effect. (He could have been a stellar silent film actor.) To compliment Price's star turn the rest of the cast are kept perfectly in tune with the film's sensibilities by director Robert Fuest. Whether serious (Cotton) or comic (Jeffrey and Cator), the right tone is maintained dependant on the needs of an individual scene. The production design, too, is first-rate, especially in light of the film's modest budget. (The art deco sets are fabulous, and can now be more completely appreciated in widescreen format.)  This is one of the best fusions of horror and black comedy ever made, starring America's greatest native-born genre icon in a signature role. Well worth your time! 4/16/01
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