Amazon Jail
Brazil | 1982
Directed by Oswaldo De Oliveira
Starring
Elisabeth Hartmann
Mauricio Do Valle

Sergio Hingst
Color
| 93 Minutes | Not Rated
Format: DVD (R1 - NTSC)
Blue Underground
Caged lust.
Hold your mouse pointer over an image for a pop-up caption
Brazen little hussy.
Edgar has his pick of the corral.
Bitch-slap!
It's bootylicious!
Tropical heat.
"I don't want to die!"
The rescue mission proceeds with desperate urgency.
AMAZON JAIL
Bare Flesh
Extra Cheese
 
Movie Rating  
6
  DVD Rating   5   10 = Highest Rating  
A sleazy, cheesy Brazilian booty-fest.
    With Amazon Jail, director/co-writer Oswaldo De Oliveira takes a far less transgressive approach than he did with his semi-hardcore Bare Behind Bars (1980).
There's no blowjob footage, no one gets his dick sliced off and shoved down his throat. The shenanigans are significantly tamer here. Ironically, since the brutalizers this time are almost all men, the film comes off as being the more misogynistic of the two. Of course, you really don't go into a flick like this expecting a "positive" portrayal of women beyond the not inconsiderable positives of their physical charms. De Oliveira tends to balance things out in this one, though. The captive girls may be rock stupid, but so is everybody in this movie. Lots of bitch-slapping, sure, but its mostly the prisoners smacking each other around instead of their captors doing it. And at least one of the major villains is female, because where ever nubile, scantily-clad young ladies are held in bondage (especially in South American hellholes), there's a middle-aged, predatory lesbian there to take advantage of them. As it is written in the Book of Franco.
   
These gals don't get tortured, either, unless you count being forced to dance topless in a thong while being drooled on and groped by a bunch of fat, greasy old guys. (Okay, so they're tortured.) The women are shapely young things lured to a remote jungle location with the promise of good-paying jobs as tour guides. Instead they're thrown into a rather flimsy-looking wooden corral for purchase as sex slaves by buyers who fly in from time to time to preview the merchandise. This white slavery operation is run by a charming gent named Ogre — uh, I mean "Edgar". (Well, the guy does look like a debauched ogre... or perhaps a washed-up heavy metal musician, bloated with booze and drugs, some twenty years after the last concert tour.) The fortysomething Helena manages the 'inmates' for him when she isn't submitting to his drunken advances or rubbing oil on the ta-tas of a cute jailbait-ish prisoner. Edgar's young nephew finds working for him disagreeable; the kid's fallen in love with one of the girls and is chafing from having to feel her up through the wooden bars. He pledges to help the girls escape Edgar's compound. During a party thrown for prospective clients, one of the prisoners flees into the jungle before the nephew's plan can be put into action. She's hunted down and shot by Edgar's goons, but while searching for her the trackers capture three more lovelies who are simply in the wrong place at the wrong time. (And are introduced skinny-dipping in a waterfall.) Being local girls, the new acquisitions turn out to have boyfriends, who eventually get together and launch a rather lackadaisical search and rescue mission. Meanwhile, the gals in the corral make their big break and escape into the jungle. Edgar and Helena are dealt with, but unfortunately for the girls they've run off into the most dangerous region of the rain forest. The perils of nature and the depredations of man await our frightened fillies in a Green Hell.
    Now these girls aren't exactly the sharpest tools in the shed... (They shriek like banshees when startled by a flock of birds, then keep screaming even after they realize what made them jump.) But they can't be faulted for going from the frying pan to the fire — the nephew told them to go that way! While they're being bumped off one by one and eventually falling into the lecherous hands of a strange cult of gold prospectors, the nephew joins up with the three boyfriends in their search. A more lethargic, procrastinating bunch of heroes I've yet to see. Of course, this only provides further opportunities for our jungle cuties to get sweatier and less clothed.
    Amazon Jail brings absolutely nothing new to the "Jungle WIP", a sub- subgenre pretty much tapped of potential scenarios in the 1970s by directors like Jess Franco (99 Women, Women In Cellblock 9). It's also just plain bad. The script (at least this English-dubbed version) is ludicrous, the acting atrocious. And thank God for that. Hot naked women are really great and all, but they can't carry an entire film (except perhaps straight-up porn); fortunately, the dialog and situations in Amazon Jail offer plenty of laughs not intended by the filmmakers. When not ogling the lasses' asses I was chuckling at the goofy dubbing, characters and performances. (Just where the hell did they find this Uncle Edgar the Ogre guy? He's utterly gonzo.) In my book, plenty of naked female pulchritude + cheesy 'do-it-yourself MST3K' laughs = a good time.
    Some of the women are quite attractive and are nude and/or seminude throughout virtually the entire film. De Oliveira knows what the audience for a naked-white-chicks-in-the-jungle movie wants to see and gives it to 'em in spades. Expect much more rumpshake than milkshake, however; while blessed with delectably curvaceous derrières, these gals are all relatively small-breasted. (Not that there's a dang thing at all wrong with that.) Solely based on this movie, it would seem that Brazilian guys — or at least one of 'em named Oswaldo — like their ladies petite and very tan... Their tender, tawny bodies glistening like the tops of homemade oven-fresh rolls, lovingly lacquered with a sheen of melted butter.
    Makin' me hungry!

For a super-obscure low budget foreign trash pic almost a quarter-century old, Blue Underground's spankin' new DVD edition looks outstandingly pristine. The 16x9 enhanced, 1.66:1 transfer is excellent. A solid mono audio track (dubbed English only) brings out all the bitch-slaps and bongo beats with sufficient clarity; Edgar's blustery asides occasionally sound muffled but I believe this to be a symptom of the film's post-production sound recording.
   
The English-language theatrical trailer, featuring some humorously salacious narration, is the only extra. 6/01/06
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