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5
Dolls For An August Moon
Mario Bava Collection, Vol. 2
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Italy
| 1970
Directed by Mario Bava
Starring
William Berger
Ira Fürstenburg
Edwige Fenech
Color | 81 Minutes |
Not Rated
Format:
DVD (R1 - NTSC | 6-disc set)
Starz/Anchor Bay Entertainment
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5
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9 |
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10
= Highest Rating |
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One of the films in the Mario Bava Collection,
Vol. 2
• DVD Rating is for entire 6-disc
set
• Replaces EC's review of the 2001
Image edition |
Three
couples are invited to spend the weekend at the posh private
island of wealthy industrialist George Stark (Teodoro Corrà).
Among them are research scientist Professor Farrell (Sabata's
William Berger) and his beautiful wife Trudy (Ira Fürstenberg).
Farrell has perfected a new formula for an industrial resin
which Stark and his other male guests, Jack Davidson (Howard
Ross) and Nick Chaney (Maurice Poli), are extremely keen to
buy the rights to. Offers of $1 Million from each of the three
businessmen is made to the professor, who turns them down flat
— the scientist genuinely seems not to be interested in money.
Tempers flare as the dog-eat-dog capitalists vie separately
or in tandem to win Farrell's favor. Meanwhile their wives indulge
their own agendas, to include a fling with Stark's houseboy
and an implied lesbian relationship. Then the houseboy turns
up murdered, stabbed to death. Trapped on the island — Stark's
yacht has been taken to the mainland by the crew and the radiotelephone
is out — the amoral sophistos continue to play head games with
each other as one by one they're picked off by the unknown killer.
When Farrell is believed shot and washed out to sea, the businessmen
circle about his wife like vultures in their continuing attempts
to obtain the prized formula. Trudy, however, is playing her
own angles...
An
offbeat reworking of Agatha Christie's Ten Little Indians,
5 Dolls For An August Moon is perhaps
famed Italian director Mario Bava's most uncharacteristic film.
Bava (Erik The Conqueror, The
Whip And The Body) reportedly hated the script and took
the job strictly for the money, signing the contract within
48 hours of the commencement of shooting! It's a testament to
Bava's skills as a visualist that the film looks as stylish
and snappy as it does, considering its director had virtually
no time to prepare. He offers up a number of interesting tableaux,
as when sexy Edwige Fenech (Case
Of The Bloody Iris) gyrates uninhibitedly to Piero Umiliani's
deliriously frenetic go-go tune "Danza Jazz Moon"
(Shake it, baby! Yeah!); of special note is the scene
in which a cascade of translucent plastic balls bounce down
a spiral staircase only to roll into a sunken bathtub containing
a dead woman. Compelling visual moments like these kept me watching
despite the weak, confusing screenplay, which wobbles unsteadily
from moments of black comedy to the expected whodunit/thriller
conventions. The presence of one important character (Isabel,
played by Justine Gall of A
Lizard In A Woman's Skin) isn't really adequately explained
— who exactly is this person? What is her relation to the
Starks and the other jetsetter couples? — and there's a
major plot hole that just doesn't make any sense. (The killer
confesses to a murder which is clearly impossible for
him/her to have committed.) The film's title is utterly meaningless,
too. Or did I miss something?
So, while left scratching my head on a few
points of the story I was still intrigued enough by Bava's compositions
to stick with it. Gorehounds will be disappointed that the film
isn't really bloody at all; horndogs should note that, aside
from a few very brief flashes of skin by the delectable Fenech,
it's not exactly chock full o' naked gals, either. (Bava would
go much farther with his 1971 proto-slasher Bay
Of Blood, AKA Twitch
Of The Death Nerve). Fans of the Italian maestro's other
works will definitely want to see it, and should, if only for
it being so different from the more well-known films.
Actually, for awhile there at the beginning
of the movie I could've sworn I was watching a Jess Franco flick
rather than something helmed by Bava. Zoom-a-zoom-ZOOM!
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5
Dolls For
An August Moon was first released
on R1 DVD —
a bare-boned, less than satisfactory offering
—
by Image Entertainment back in
2001. The October 2007 edition of 5 Dolls
arrives as one of the eight films in Anchor Bay's Mario Bava
Collection, Vol. 2, which also includes new, remastered editions
of Roy Colt & Winchester Jack
(a 1970 spaghetti western), Bay Of Blood
(1971), the
sex comedy Four Times That Night
(1972), Baron
Blood (1972), Lisa And The Devil
and its alternate exploitation version, House
Of Exorcism (1973), and Bava's final, unfinished film,
Kidnapped (1974), which was eventually
completed by his director son Lamberto. 5
Dolls is paired with Four Times That
Night on a single "flipper" disc (Dolls
is on Side A); ditto for Lisa And The Devil
and House Of Exorcism. The remainder
of the films get an individual disc to themselves.
Each DVD in the box set is housed in its own "slim-line"-style
keepcase, a type of packaging which has won me over with its space-saving
utility. Unfortunately, the cardboard box they come in is rather
flimsy and cheaply constructed.
The spine incorrectly lists the contents as "8" discs
when in fact it's only six — a glaring mistake.
Of the titles in the set previously released
by Image, all demonstrate moderately improved transfers, with
Baron Blood fairing the best in comparison
visually; Bay Of Blood receives a
long-awaited correction to its problematic English audio. As for
Five Dolls, visuals are pleasing
if not exactly pristine, exhibiting minor edge enhancement but
also strong colors. Unlike the old Image disc, the 1.85 Anchor
Bay transfer is anamorphic. (Quite important in this age of 16x9
TVs.) Both English and Italian mono audio tracks are included
(with optional English subs for the latter); predictably, the
Italian dialog is superior. The set's extras
should make the maestro's enthusiasts quite happy, chiefly the
three new audio commentaries recorded by Bava historian Tim Lucas,
for Bay Of Blood, Baron
Blood and Lisa And The Devil.
Add to these various and sundry trailers, radio spots, and still
galleries, along with previously released extras from Anchor Bay's
April 2007 stand-alone edition of Kidnapped
(a featurette and Lucas commentary) and Image's long-OOP House
Of Exorcism (commentary with producer Alfredo Leone and
star Elke Sommer). Alas, 5 Dolls
gets exactly jack and shit for bonus features. 11/17/07 |
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