CECILIA
France - Belgium | 1982
Directed by Jess Franco
Starring
Muriel Montossé
Antonio Mayans
Lina Romay
Color
| 105 Minutes | Not Rated
Format: DVD (R0 - NTSC)
Blue Underground
Hold your mouse pointer over an image for a pop-up caption

Buy online

at Amazon
   
 
5
    6   10 = Highest Rating  
SNEAK PREVIEW | DVD Release Date: Jan. 29, 2008
Guest Review by Troy Howarth
A young couple (Muriel Montossé and Antonio Mayans) decide to re-energize their sex life by experimenting with new partners...
    At the start of the 1980s, Spanish maverick Jess Franco turned much of his energy to a series of progressively graphic erotic melodramas. Some of these films pushed the boundaries into hardcore pornography, while others, including this title, were decidedly more restrained, even old-fashioned. With precious few exceptions, however, many of these films demonstrated the director's basic boredom with repetitive scenes of bumping and grinding without an opportunity to introduce perverse fetishism or an air of pervading gloom, many of these films became virtually indistinguishable from one another. Erotica certainly plays a key role in the appeal of Franco's oeuvre, but the conventional variety of "bored housewife" films certainly doesn't enable him to really show his inspiration.
    Cecilia, as one can glean from the above, certainly isn't among the front rank of Franco's admittedly erratic filmography but nor is it among the dregs, either. The film gets a lot of mileage out of its lush, photogenic locales, including an ornate mansion and an almost impossibly lyrical forest. The director makes the most of such scenery, and the film is done with taste and restraint. Zoom shots are kept to a relative minimum, and compositions tend to have a more 'studied' quality when compared to the roughhewn aesthetic of much of his work.
    Full marks also have to go to the cast. Sensual Muriel Montossé (The Inconfessable Orgies of Emmanuelle) is ideal in the lead. The character of Cecilia is very much a slave to her sexual urges, and Montossé does a capable job of making her credible without coming across as a one-dimensional trollop. Montossé also has the distinction of being naked for much of her screen time, a feat perhaps equaled only by Lina Romay in the likes of Female Vampire (1973) or Doriana Grey (1976). The actress also shows an exhibitionist streak in her various sexual encounters, which certainly adds to the film's appeal. Franco stalwart Antonio Mayans (Sadomania) does a capable job as Montossé's husband, who reluctantly agrees to succumb to her desire to "experiment" with other partners; it's not a terribly well developed character, but Mayans brings some emotional gravitas to the character's emotional frustration. And what would a Franco film of this vintage be without Lina Romay? She doesn't have much to do here, but she looks fetching in a blonde wig and introduces some welcome kinkiness to a drugged out orgy in which she simulates fellatio on her partner's thumb.
    Despite the polish of the production and the best efforts of the cast, Cecilia falls short of the intensity of Franco's best works. The story is simply too ho hum and predictable, and one can sense the director's boredom when confronted with so much by-the-numbers material. Sleaze fanatics will surely embrace its pictorial qualities, but devotees of the director will likely feel underwhelmed by its basic blandness and lack of originality.

Blue Underground's release of Cecilia represents the film's debut on DVD. An obscure title even among Franco fans, it's been given the same quality release as any other BU Franco endeavor. The 1.66/16x9 transfer looks very good. Grain is evident in some scenes, but colors are accurately rendered and detail is as sharp as the cinematography (which favors soft focus effects) will allow. The film is completely uncut. The French mono soundtrack is clean and clear, allowing the familiar music by Daniel White ample presence, though never at the expense of dialogue. The removable subtitles are clear and easy to read. Extras include a trailer and a typically animated interview with Franco. The chain-smoking director dismisses the film as "too long and too stupid," but speaks fondly of his cast and of the experience filming it. Franco is as witty and opinionated as ever, noting his disdain for drugs as a key to creative expression and explaining his problems with the project. 1/24/08

HOME | REVIEWS | TOP