|
|
|
NEVER
SLEEP AGAIN:
THE ELM STREET LEGACY
|
|
U.S.A.
|
2010
Directed
by
Daniel Farrands & Andre Kasch
Featuring
Wes Craven, Robert Englund
Heather Langenkamp, John Saxon
Robert
Shaye, Rachel Talalay
Color |
236 Minutes |
Not Rated
Format: DVD (R1 - NTSC |
2-disc set)
1428 Films
|
|
 |
|
|
|
Hold
your mouse pointer over an image for a pop-up caption
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
 |

|
 |
|
|
|
| |
|
Review
by
Troy Howarth
Film:10
DVD:10
|
 |
| In
1984, writer/director Wes Craven (The
Hills Have Eyes) hit the big time with A
Nightmare On Elm Street. The low budget fright show was
a surprise hit with critics and audiences, and its influence continues
to be felt in the horror genre... |
|
You've
really got to hand it to directors Daniel Farrands and Andrew
Kasch — they've truly delivered what can be considered the definitive
exploration of the Nightmare On Elm Street franchise. Clocking
in just under four hours in length, it will likely strike many
as a case of overkill — but those of us with an even passing interest
in the series will almost certainly find it to be very interesting
indeed. Heather Langenkamp (Part 1 and 3's Nancy herself) narrates
and appears on-camera, and the filmmakers have managed to track
down everybody from the major behind-the-scenes players (including
Craven) to actors whose participation ranged from the major (including
Robert Englund, whose portrayal of scar-faced child molester-murderer
Fred Krueger made him into a major horror film star) to the minimal
(yep, they even managed to find the actress who played the hall
monitor in the original film). The end result is surprisingly
fast paced and interesting. |
|
By
this stage in the game, it's fairly common knowledge that Craven
struggled to get the first Nightmare
made. In an era dominated by stalk-and-slash, the filmmaker sought
to explore a more ethereal and cerebral brand of horror — and
the major studios weren't buying it. This all changed when struggling
producer/distributor Bob Shaye, of New Line, decided to gamble
with his company's future — he provided Craven with the money
to realize his vision and the rest, as they say, is history. These
days, it's easy to forget what a truly original film A
Nightmare On Elm Street was. Craven's exploration of teen
angst and the terrors of the dreamscape stood out in relief against
the steady stream of Friday
the 13th-style slasher flicks, even if it also delivered
plenty of stalk-and-slash action in its own right. Though hindered
by some uneven performances and a cop out ending, the film established
Craven as one of the freshest and most imaginative voices in horror
— and its success ensured that its monstrous villain, Fred (later
Freddy) Krueger, would return for more and more sequels. As is
so often the case, the sequels would diminish the original's startling
originality — by the time of writing, with a poorly received remake
of the original having come and gone from local cineplexes, the
idea itself seems old hat, as if it's been part of the pop culture
for much longer than it really has. The sequels themselves are
a mixed bag at best, but there's something to be said for some
of them — Part 2, Freddy's Revenge,
with its none-too-subtle gay subtext, is interesting in a 'what
were they thinking?' kind of way (more on that in a bit); Part
3, Dream Warriors, is arguably the
slickest and most imaginatively realized of the entire series;
and Wes Craven's New Nightmare (Part
7, if we must keep tabs on the numbers) rebooted and reinvented
the whole thing in a satisfying manner. Other than that, it all
boils down to your passion for Freddy and bad puns... the truly
frightening monster envisioned by Craven would degenerate into
the Don Rickles of Horror Icons as the series progressed. The
more Freddy became foregrounded in the sequels, the more his aura
of danger and mystery would diminish; the easier his wisecracks
began to flow, the easier to envision him as a figure of fun,
rather than fear. |
|
This
exhaustively researched and produced documentary does a splendid
job of putting the entire franchise into focus. The major participants
are mostly present and accounted for (in the acting department,
Part 1's Ronee Blakely and Johnny Depp are the only ones who don't
appear, for example) and everybody has lively anecdotes to share
about their brush with the Elm Street series. Given that so many
of these films are so far in the past, it's no surprise to find
the actors and filmmakers speaking frankly of their (not always
pleasant) memories. Indeed, hearing the comments from those involved
in some of the more risible entries makes one wish that the films
in question were half as entertaining! Not all the films are on
the same level, but the documentary is fair and balanced — the
original gets the most air time, which is as it should be, but
the follow-ups all warrant in-depth coverage. Some of the most
entertaining coverage is of Part 2. Everybody from leading man
Mark Patton (an out gay actor who was cast in the role typically
played by a buxom blonde in films of this era) on down the line
discuss the film's homosexual overtones — some of the participants
insist it wasn't deliberate at the time, but even they are forced
to admit that it seems blazingly obvious now. Gruff character
actor Clu Gulager (Return
of the Living Dead), cast as Patton's father in the film,
uses this as an opportunity to bemoan the fact that he didn't
get a blowjob on set; his wry sense of humor provides the documentary
with some of its funniest moments. |
|
Ultimately,
one doesn't need to be an Elm Street junkie in order to appreciate
this film. It's well produced, well paced, stuffed to the gills
with information... In short, it's precisely the kind of documentary
filmmaking that this genre sees far too infrequently. |
|
|
| 1428
Films and CAV Distributing have done a terrific job by Never
Sleep Again. The two-disc set (available only on DVD —
no Blu-ray has been announced at this point) is as exhaustive
as the documentary itself. The whole epic documentary is found
on Disc 1 —
it's presented in 1.85/16x9, and both interview footage and film
clips are sharp and colorful. The soundtrack is clean and clear,
and English subtitles for the deaf/hard of hearing are included. |
|
Disc
2 is loaded with extra material, including extended/cut interview
footage devoted to each of the films. The documentary crams in
a lot of information, needless to say, but there's still some
nuggets of interest in these added bits and bobs. Beyond that,
there's literally a ton of featurettes devoted to everything from
the fans' relationship with the franchise (some of these hardcore
fans are really... hardcore) to Freddy's presence in various
other fields of pop culture, from novelizations and comic books
to video games. A featurette devoted to revisiting the locations
used for the first film is a definite standout, and it's done
with equal doses of humor and affection. 6/07/10 |
 |
HOME
| REVIEWS
| TOP
|